Tag Archives: post-hardcore

014 Best of 2013

[Editor’s note:  Spencer was really lame and did not post this on time.  Metal Urges as a whole practiced due diligence in preparing, recording, and even writing this post on time.  Shame on you, Spencer]

We’re back with another year-end list, and this time we’re almost on time! This was another big year for reunions that resulted in new albums (for starters, Carcass and Broken Hope, both of whom made this list), old bands with amazing albums (Monster Magnet, Flotsam & Jetsam, Year of No Light, Gorguts, Immolation, Pyrexia, Autopsy), and relative newbies that totally owned the place (In Solitude, Watertank, Purson). There was a supergroup of note (Corrections House), and even a well-publicized swan song that didn’t suck (Cathedral). And no Converge this year to screw up our list, yay! Hopefully you’ll agree that our list meets and exceeds your expectations of what qualifies as metal…

Devourment:  their future's so bright, well. . .

Devourment: their future’s so bright, well. . .

#10: “Heaving Acid” from Devourment’s Conceived in Sewage (Relapse)

This quartet from Dallas, Texas has been slaughtering souls since 1995. Produced by Hate Eternal’s Erik Rutan at his Mana Studios in St. Petersburg, Florida (not Russia), Conceived in Sewage is their 5th full-length (4 studio albums plus 1 compilation) and their 1st for Relapse Records. Put yer deth on, minions!

Batillus or Predator?  Perhaps some other hydra-like beast.  You decide. Photo by Greg C

Batillus or Predator? Perhaps some other hydra-like beast. You decide.
Photo by Greg C http://www.gregcphotography.com/

#9: “Concrete” from Batillus’ Concrete Sustain (Seventh Rule)

Pronounced “Leh-nerd Skin-nerd” (just kidding, it’s “buh-TILL-us”), Batillus is an industrial metal band from New York City. Originally started as an instrumental trio in 2007, later incorporating black/death metal vocals, synths, and samples, Concrete Sustain is their 2nd full-length…and it is a whopper!

#8: “Pouring Out the Hatred” from Grime’s Deteriorate (Forcefield/Mordgrimm)

Grime is from Italy, but not the ancient Roman-laden parts: these guys hail from Trieste, a port city in the northernmost corner of the Adriatic Sea bordering Slovenia. They play Grief/Noothgrush-styled sludge doom, replete with creepy voice samples and absolutely smothering chordage. The cover art for Deteriorate is by Jason Barnett, a Texas-based street artist who’s also done covers for Noothgrush and Cleric.

Grime

Grime.

#7: “Mesopelagic: Into the Uncanny” from The Ocean’s Pelagial (Metal Blade)

Based in Berlin, Germany, The Ocean is more of a collective: guest musicians contribute to each album, along with the core members of the group, led by guitarist Robin Staps. Pelagial is their 7th full-length and is a concept album about the ocean: each song is named after a deeper layer of water, and the music gets denser and darker as the album progresses. The cut we chose, “Mesopelagic: Into the Uncanny,” is the 2nd track and is very melodic, since it’s closest to the surface.

Th Oceans contained in a pool.  Wow, that's like poetry, man.

The Oceans contained in a pool. Wow, that’s like poetry, man.

Doom kings we call Kongh.

Doom kings we call Kongh.

#6: “Rendered Into Lard” from Broken Hope’s Omen of Disease (Century Media)

After a decade of inactivity, Chicago’s death dealers Broken Hope reunite with a new vocalist and release their 6th full-length and one of their best, Omen of Disease. The deluxe CD comes with a bonus DVD chronicling the band’s career—which is absolutely essential for any death-metal fan—and included is a chapter on Joe Ptacek, their original vocalist who died in 2010.

#5: “The Portals” from Kongh’s Sole Creation (Agonia)

Formed in 2004, Kongh hail from Nässjö, a small town in southern Sweden (hometown of the Backyard Babies, if that matters). Their 2nd album, 2009’s Shadows of the Shapeless, was one of our top albums of that year, but we didn’t really dig this new album until the 5th or 6th spin. Sole Creation is so different from Shadows: where Shadows was more post-hardcore doom like Lento or Callisto, Sole Creation is more head-down doom like Yob mixed with High on Fire.

#4: “In Remorse” from Author & Punisher’s Women & Children (Seventh Rule)

One-man band Tristan Shone does it again with his 5th full-length, Women & Children. It’s less brutal industrial than last year’s Ursus Americanus, but still just as infectious. We have an exclusive interview with Tristan to be featured as a future episode, so stay tuned!

#3: “In Awe Of” from Cult of Luna’s Vertikal (Indie Recordings)

Hailing from Umeå, Sweden, Cult of Luna has long been a proponent of the harsher end of atmospheric post-hardcore. Vertikal is their 7th full-length and the first in which they’ve slowed things down to incorporate more melodic sections, like Jesu or Hyatari. They also released a companion EP, titled Vertikal II, with extra songs and a Justin Broadrick remix (!).

#2: “Winter” from Secrets of the Sky’s To Sail Black Waters (Kolony)

An amazing band from Oakland, California, Secrets of the Sky burst onto the scene with their award-winning debut, To Sail Black Waters. They were originally signed to Gravedancer Records, but the label went under and ripped off the band in the process; Kolony Records emerged from the dust to release the majestic new album. To Sail Black Waters is what we wish Novembers Doom became, instead of the overtly melancholic doom that they’ve choked out over the past few albums.

And our #1 pick: “The Granulating Dark Satanic Mills” from Carcass’ Surgical Steel (Nuclear Blast)

The godfathers of UK grindcore & melodic death metal return with their first album in 17 years! Surgical Steel sounds more vicious than their genre-defining 1993 opus, Heartwork—may be their best album EVER. We’ve got a big surprise planned for Episode #015 as a continuation of our death metal theme…so stay tuned!

Best Carcass ever?  Hmm. . .

Best Carcass ever? Hmm. . .

 

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