Tag Archives: Neurosis

020 Maryland Deathfest 2015

Chris and guest host Billy discuss the brutality of Maryland Deathfest 2015. Billy had an all-venues pass, so he ended up seeing many more bands than Chris did. Hanging out with Chris Dick and the gang made another Memorial Day weekend even more memorable! We were sad that Spence couldn’t join us, but next year will be different, he assured us. Here’s a smattering of our top picks of the weekend:

Tombs at Deathfest 2015

Tombs at Deathfest 2015

Vallenfyre, “Splinters” from Splinters (2014, Century Media)

            Paradise Lost guitarist Gregor Mackintosh is certainly exorcising his demons in Vallenfyre, replete with mega-doom chordage and guttural vocals. We thought their 2011 debut A Fragile King was pretty swell, but the recent Splinters album pushes the gloom envelope even further into doomdeath territory.

 

Master, “Smile as You’re Told” from The New Elite (2012, Pulverized)

Paul Speckmann may be the ultimate death-metal musician. Having recorded a handful of albums in the ’90s, he began working with the guys in Krabathor and ended up moving to the Czech Republic to join the band—how metal is that?!? This DM king was hailed loudly ‘n’ proudly on the Edison Lot stage.

 

Triptykon, “Tree of Suffocating Souls” from Melana Chasmata (2014, Century Media)

The mighty Celtic Frost lives on in Thomas Gabriel Warrior’s Triptykon, a doom/thrash/death amalgam that puts the “e” in extreme metal. With a limitless audience in the Internet age, Warrior is now more legendary than he ever was before, and his band slayed with effortless abandon in Baltimore.

 

Suffocation, “Entrails of You” from Suffocation (2006, Relapse)

Death-metal institution Suffocation delivered the goods like they always do, with frontman Frank Mullen hilariously chatting it up between songs and doing a blastbeat motion with his hand that was mimicked by the crowds for the entire weekend.

 

Obituary, “Violence” from Inked in Blood (2014, Relapse)

            One of the headliners that we were the most excited to see, Obituary did not disappoint, in a way. They covered a few new songs plus the usual suspects from their back catalog with dark, chugging riffage and John Tardy’s famous growl, yet they just didn’t seem as tight as we expected.

 

Razor, “Sucker for Punishment” from Open Hostility (1991, Relapse)

Other than seeing huge Razor backpatches on fans’ battle vests throughout the crowd, we really didn’t know much about Razor. This Canadian thrash band only gets together for festivals and one-off appearances, so the crowd was beyond stoked to see them. Kudos to Relapse for their reissued albums!

 

Goatsnake, “Elevated Man” from Black Age Blues (2015, Southern Lord)

Despite having the most gilded pipes of the weekend, Goatsnake vocalist Pete Stahl was the only band member at the fest who wore a Polo shirt onstage—which made him more metal than the unwashed hordes. This set was the only one to feature both harmonica and tambourine as well.

 

Winter, “Servants of the Warsmen” from Into Darkness (1990, Nuclear Blast)

What happens when a ’90s band is asked to play MDF but has only one album? They play that one album, and Winter has become experts at reproducing their sole release. Influential doom from a truly cvlt band, but we wish they had—at the very least—a sophomore album in the works!

 

Neurosis, “At the Well” from Honor Found in Decay (2012, Neurot Recordings)

Since they announced their retirement from extensive touring, Neurosis has become extremely sought after to play festivals. They’re also one of the few metal bands that started in the ’80s that have actually gotten better over the years without simply retreading their back catalog. Smothering doom!

 

Amorphis, “Black Winter Day” from Tales from the Thousand Lakes (1994, Relapse)

Sunday’s headliners brought the frigid folktales of Finland to us sweaty festivalgoers. Amorphis played their pivotal Tales album in its entirety, and frontman Tomi Joutsen entraced the crowd like the professional that he is. All this, plus an urgent cover of “Vulgar Necrolatry” from their early days as Abhorrence for those Privilege of Evil adherents!

 

Cacophonous shout-outs to Chris Dick, Billy Gamble, Kevin Stewart-Panko, Sean Palmerston, Gordon Conrad, Ian Christe, Magnus Henriksson, bootleg patch vendors, and the lovely staff at Crazy John’s and Zombie BBQ! Here’s to MDF 2017!

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011 Best of 2012

Neurosis

Of course they’re on our list. They’re still Mad Max’s favorite band. (Neurosis, duh.)

We’re back with our Best of 2012 list, only four months late this year. Maybe next year, we’ll cut it down to three months? 2012 was yet another banner year for diverse metal offerings, and TONS of great metal releases struck our collective fancy, from well-established bands (Napalm Death, Paradise Lost, Morbid Angel, Deftones) to not-so-well-known-yet acts (Author & Punisher, Abiotic, Inverloch, Dragged Into Sunlight, Mother’s Green). Our list mixes the familiar with the unknown, and without further ado…

#10: “Rise Up” from Testament’s Dark Roots of Earth (Nuclear Blast). Is it just us, or have Testament gotten better with age? Even more amazing is that four-fifths of the band is the original line-up: Chuck Billy, Alex Skolnick, Eric Peterson, Greg Christian, and they added the mighty Gene Hoglan as drummer—who actually played with them previously on 1997’s Demonic during their lean years.

#9: “Wrong Side of History” from Kowloon Walled City’s Container Ships (Brutal Panda). KWC are a post-core/-rock quartet from San Francisco who’d probably be on Hydra Head if they were still around. On tour now with Zozobra (who also has a new album out, starring Adam McGrath and J.R. Conners of Cave In).

#8: “Ash” from Abstracter’s Tomb of Feathers (The Path Less Traveled). Like many metalheads, we have an affinity for Bay Area bands, and Abstracter blew our minds this year. They play Neurosis-styled, build-and-collapse doom but more in the vein of Mindrot, -16-, and Yob. “Ash” is 16 minutes long (our longest podcast cut yet), so get ready to DOOM!

#7: “The Innsmouth Look” from Chowder’s Passion Rift (I Voidhanger). Chowder play amazing, vocalless prog-doom from Maryland that’s a crooked cross between Rush and Karma to Burn. Their label, I Voidhanger, will be an interesting one to watch for cool bands. Chowder is not the greatest choice for names, mind you, but does that make their fans Chowderheads (“Chowdah-heads” for all you New Englanders)?

Haarp's brilliant and heavy Husks

Atmospheric and doomy, Haarp’s album cover previews their smart and arty brand of heavy doom, Lou-zianna style.

#6: “bear” from haarp’s Husks (Housecore). With a little “h” but a big sound, haarp are another New Orleans band molded after Eyehategod and Crowbar, but slower—more akin to North Carolina’s Weedeater but with longer songs. Three tracks only on this current album Husks, and our song pick “bear” is almost 9 minutes long. On Phil Anselmo’s label, Housecore, natch!

#5: “Curses Scribed in Gore” from Hooded Menace’s Effigies of Evil (Relapse). Here’s a Finnish band whose sole purpose is to emulate all the classic death/doom of Winter, Cathedral, and Candlemass. Special thanks to Mark & Jason for getting us into these dudes with Episode 048 of Requiem Metal Podcast!

 

Admiral Sir Cloudesley Shovell

Don’t worry. The Mystery Machine is out back idling. Ready for the getaway. It’s okay that you’re freakin’ out right now. That makes two of us.

#4: “iDeath” from Admiral Sir Cloudesley Shovell’s Don’t Hear It…Fear It! (Rise Above/Metal Blade). This oddly named band hails from England and is named after a real-life British naval officer from the 17th century. An obvious titular nod to Sir Lord Baltimore, this wily trio play psychedelic rock/metal like the MC5, Status Quo, et al., plus they have a man-sized red bird as their mascot!

#3: “Raise the Dawn” from Neurosis’s Honor Found in Decay (Neurot). Our third Bay Area band on the list, Neurosis always produces quality, thought-provoking music and has been a major influence on Isis, which in turn were the inspiration for countless more bands. They have always had exactly the same line-up, with the exception of Noah Landis, who joined in 1996 and quit just recently. This is their tenth studio album, and they show no sign of early retirement.

#2: “Vanquish in Vengeance” from Incantation’s Vanquish in Vengeance (Listenable). This perennially solid band is also featured in our next episode, Episode 011: SDM Vol. 2, and we spend more time talking about them there. Hands down, one of the very best American DM bands!

 

Katabatic

Pondering Portuguese heaviness. Move over Os Mutantes: Katabatic is the new psychedelic.

And the #1 song of the year: “Wonder-Room” from

Katabatic’s Heavy Water (Raging Planet). “Katabatic” is an adjective describing the cold, fast wind that travels downslope from mountaintops. The band Katabatic are a four-piece from Lisbon, Portugal that play almost vocalless atmospheric doom in the vein of Isis or, more obviously, Pelican. The light/dark shift in our song choice, “Wonder-Room,” just blows us away like those katabatic winds!

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