We’re devoting Episode 005 and every 5th episode hereafter to our favorite death metal, old and new, i.e. anything and everything that one would term as “sweetish.” This time, we’ve paired classic death metal bands with newer bands that were clearly influenced by them:
- “I’m In Pain,” Obituary’s The End Complete (1992, Roadrunner)
Based in Brandon, Florida, a suburb of Tampa (Death Metal Capital of the World), Obituary is considered a pioneering band in the death metal of the late ’80s/early ’90s. The new band that we paired with Obituary ends this episode…
- “Secret Face,” Death’s Human (1993, Relativity )
- “Lapse,” Dreaming Dead’s Midnightmares (2012, self-released)
Death is one of the most influential death metal bands, ever! Their fourth album, Human paved the way for technical metal of today. This track is from the 2011 remastered & repackaged re-release from Relapse Records. Dreaming Dead is a L.A. band featuring guitarist/vocalist Elizabeth Schall, whose gruff voice sounds a lot like Death’s Chuck Schuldiner! Midnightmares, their second album, features cover art by renowned metal album cover artists Travis Smith, who’s done covers scores of metal bands, from Anathema to Zimmers Hole.
- “Twisted Mass of Burnt Decay,” Autopsy’s Mental Funeral (1991, Peaceville)
- “The Origin of Disease,” Aborted’s Global Flatline (2011, Century Media)
Autopsy is another super-influential death metal band, though they chose slower tempos over extreme speed of other DM bands. This track was originally from their sophomore album, 1991’s Mental Funeral, though this remastered version is from the excellent 2001 compilation, Torn From the Grave, both on Peaceville Records. Recording since the late ’90s, Aborted is a Belgian band that conceptually sounds more like Carcass but with heavy Autopsy undertones. This album (their 9th!) features the guitarist and drummer from Abigail Williams and a bunch of guest vocalists, including the dudes from Misery Index, Rotten Sound, and The Black Dahlia Murder.
- “Wasteland of Terror,” Asphyx’s The Rack (1991, Century Media)
- “The Unseen Hand,” Vore’s Gravehammer (2011, self-released)
Pioneering death metal from the Netherlands, Asphyx has been crushing skulls since the early ’90s. This track features original vocalist Martin van Drunen, who quit in 1993 but has since returned to the band. Vore hail from Arkansas, and Gravehammer is their fourth self-released album of uncompromising death, released in December of last year. Vore just signed to German label AFM Records, who will re-release Gravehammer worldwide in July.
- “Rapture,” Morbid Angel’s Covenant (1993, Giant)
- “The Art of Redemption,” Hate Eternal’s Phoenix Amongst the Ashes (2011, Metal Blade)
Along with Obituary and Death, Morbid Angel paved the way for the death metal of today. This track is taken from 1993’s Covenant, the biggest selling death metal album of its time. Covenant also marked the first time a death metal band was signed to a major label, Giant Records. Hate Eternal is helmed by former Morbid Angel guitarist Erik Rutan. He opened his own Mana Recording Studio in St. Pete and has produced a slew of metal bands, including both Cannibal Corpse and Cannabis Corpse (!), Six Feet Under, Goatwhore, Soilent Green, Denial Fiend, Malevolent Creation, et al.
- “Reduced to Sludge,” Funerus’ Reduced to Sludge (2011, Ibex Moon)
Tri-state metallers Funerus plays Obituary-styled death, with fabulously guttural vocals from bassist Jill McAtee, wife of John McAtee, founding guitarist of Incantation and president of Ibex Moon Records. John also plays guitar in Funerus; these two win our award for Death Metal Couple of the Year!